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This is a play that not only breaks the 4th wall with actors speaking directly to the audience much of the time, it breaks just about any other kind of rules of theater. And neither the director nor the actors take themselves seriously, which is why the audience shouldn’t either. It’s more fun that way teal ballet flats. Clearly both costume designer Scarlett Kellum and props designer Ting Na Wang had their work cut out for them because there must be about 100 costume changes happening (usually very quickly) and the props include a truckload of detached arms, legs, hands and other body parts, some of which had probably been used in a previous LASC production..
And the unseen band! Under the direction of keyboardist Brian Allan Hobbs, this little four-piece group produced orchestra-sized sound, yet didn’t play loud enough to drown out even light singing voices like Zablotsky’s. There’s really not a false note anywhere in this production, and special kudos to Jeff Korst for being what is described in the program as a “magic consultant,” as well as to LASC’s everyman artistic director Gary Landis for providing some amusing photos and captions on the two screens on each side of the stage teal ballet flats.
So, while the actual storyline in “Pippin” can be a little iffy at times, don’t let that spoil your enjoyment of this very likable, often surprising and downright top-notch show. As Pippin responds when asked at play’s end how he feels, he looks at Catherine and her young son and responds, “Trapped….but happy.” You will be, too. Email Joanne Engelhardt at: [email protected] What: “Pippin”. Where: Los Altos Stage Company, 97 Hillview Ave., Los AltosWhen: 8 p.m. Wednesdays-Saturdays; 3 p.m teal ballet flats. SundaysThrough: June 24Tickets: $20 (student rate) – $38; 650-941-0551 or www.losaltosstage.org..
If you aren’t already familiar with SFDanceWorks, it might be because the dance troupe didn’t even exist before 2016. But now is a good time to acquaint yourself with this local treasure. The company’s inaugural season two years ago sold out each night. Its second season pulled off the same achievement teal ballet flats. And its third season, June 8-10 at the San Francisco’s Cowell Theater, looks to be a three-peat. The main ingredients in this recipe for success are the right team of performers and finely-honed movement compositions. It’s no accident, SFDW’s dancers and choreographers have worked with such internationally renowned companies as San Francisco Ballet, Nederlands Dans Theater, Stuttgart Ballet, Dutch National Ballet, LINES Ballet, Hubbard Street Dance Chicago, Boston Ballet, and Houston Ballet..
“It’s important that we are creating new works, but it’s also important to keep older work alive,” says artistic director James Sofranko. “When we perform pieces that have become classics in their own right, the dancers are inspired to step up their levels of technique and artistry. The audience and younger dancers also need to see who has paved the way to where we are now.”. To that end, the Season 3 program includes a re-staging of Spaniard Nacho Duato’s “Jardí Tancat,” originally created for Nederlands Dans Theater in 1983 teal ballet flats. The modern ballet for six dancers employs music composed and sung by Maria del Mar Bonet that is sourced from Catalonian folk tales. Duato’s work is intended to express the hardships and desperation of poor Catalonian farmers as they work the land..