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That experience got Kopp thinking about the perceived need to peddle familiar fare to keep theater companies afloat. “Which always makes me nervous, because I’m always writing my own plays and putting them up,” he says. “But it helps if you put ‘Zombies’ in the title.”. For that matter, putting “A Christmas Carol” in the title probably won’t hurt either. Contact Sam Hurwitt at [email protected], and follow him at Twitter.com/shurwitt showtime dance shoes. ‘THE MILLIONTH PRODUCTION OF A CHRISTMAS CAROL’..
For the 22nd year, St. Joseph’s Cathedral in San Jose will host the “Season of Hope,” 12 days of free concerts Dec showtime dance shoes. 12-23. Each night features a different group in concert from 7:30 to 8:30 p.m. in the magnificent cathedral building, which opened in 1877 and was fully restored in the late 1980s. The arts and community groups donate their time. Concerts are free, but contributions to support the church’s food, shelter, medical care and job search programs are welcome. This year’s lineup of multicultural performances..
Dec. 12: Inner Light Ministries Black Gospel (David Wells, director). Dec. 13: Castillero Middle School (Scott Krijnen, music director, and Michelle Crivello, dance director). Dec. 14: Ballet Folklórico Guerres’s de Guadalupe (Yadira Gurreo-Garcia, director). Dec. 15: San Jose Youth Symphony (Yair Samet, conductor). Dec showtime dance shoes. 16: California Philharmonic Youth Orchestra (Byung Kim, conductor). Dec. 17: San Jose State University Choraliers (Jeffrey Benson, conductor). Dec. 18: San Jose Symphonic Choir (Leroy Kromm, conductor)..
As a child, Erica Felsch’s holiday traditions included performing shows with her brother for their family. As a Smuin dancer, her holiday performances now involve choreography with a 40-foot boa. Felsch is bringing these old and new traditions together in this year’s iteration of Smuin’s “Christmas Ballet,” on stage through Dec. 10 at the Mountain View Center for the Performing Arts. She’s once again taking the stage with the boa and a host of other props for “Santa Baby,” and she’s recalling holidays with her family with her choreography to Nat King Cole’s “Christmas Song.” showtime dance shoes.
Of the latter piece, Felsch says, “The feeling is Christmas Eve—kids going to bed and dreaming of Christmas showtime dance shoes. My brother and I used to put on shows in front of the fireplace for our family at Christmas.”. Felsch has had works in Smuin’s annual choreography workshops, where dancers are given the opportunity to stretch themselves, but “The Christmas Song” marks the first piece she’s choreographed for “The Christmas Ballet” in her five years with the company. “This is my first real stage production,” she says, adding that artistic director Celia Fushille gave her some leeway in creating a piece for the show’s second act, which features more contemporary holiday music than the classical sounds of Act 1..