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“Part of the magic is having a place for every kid who auditions,” says Stacy Trujillo, whose first show with the company was “Godspell” in 1990. “It makes it really inclusive.”. That feeling of inclusion inspired both Trujillo and Capriles to stay involved with the theater into adulthood and to pass along their love of musical theater to their children red shoe dance australia. Trujillo serves on the company’s board of directors, and her two children have been in numerous shows, most recently appearing in this month’s “Fiddler on the Roof Jr.” with other performers ages 8-15..

The upcoming “Newsies” is a Marquee production, which means there are adults in the cast as well as performers ages 14-20. Many cast members in Marquee shows are Children’s Musical Theater alumni such as Capriles, who last year played ballet teacher Mrs. Wilkerson in “Billy Elliot.” red shoe dance australia. Capriles’ first major role with Children’s Musical Theater was as Rosie in a 1982 production of “Bye Bye Birdie.” That show also marked Kevin Hauge’s debut as a director with the company. Hauge has served as the company’s artistic director since 1996..

“I felt like he was trusting me with a big responsibility,” Capriles says of Hauge. “I hadn’t had a lead role before. “I loved the collaboration. He’d play on my strengths,” she adds. “That’s still how he works today.”. She says she sees this collaborative effort in the shows her children have been in, particularly in “Billy Elliot,” where her daughter Ailey MacDavid was a ballet girl. “Even though they were young, he didn’t let them get away with anything,” she says, recalling how Hauge drilled the ballet girls on a dance number. “Coming out the other end of it, they realize they can do it red shoe dance australia.

“That’s why all the shows are high-quality,” she adds. “You set the bar high, and the kids rise up to it. I felt that as a youth working with Kevin.”. Young performers also learn to be quick on their feet, Capriles says. “You have to be in the moment. That’s a life skill that’s valuable for everyone.”. Trujillo says the relationship-building skills she learned at Children’s Musical Theater serve her well in her current profession as a senior labor relations representative for the California School Employees Association. And she’s seen the effect that performing with the company has had on her 11-year-old son James and 9-year-old daughter Gia red shoe dance australia.

“In CMT—and I’m noticing this with our kids—you tend to grow up a little faster. You develop a culture of doing it for yourself and for your team,” she says red shoe dance australia. “I have skills my colleagues don’t have: I can put on a (collective bargaining) presentation and hold the audience’s attention for two hours. I owe a lot of that to my musical theater background.”. Dana Zell is putting the skills she learned as a performer with Children’s Musical Theater in the mid-’80s back into the company as its managing director. After a stint in New York, where she worked for Disney Theatrical Productions, Zell moved back to the South Bay in 2003 and joined Children’s Musical Theater’s staff the following year..

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