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As in the best of King’s work, the music in “Meyer” is a collaborator with the dance in a conversation that leads to something greater than the sum of its parts — work that is allusive and poetic. This wasn’t the case in the night’s world premiere, “Art Songs,” set to four classical vocal scores sung slightly off-key by mezzo-soprano Maya Lahyani, whose breathing disrupted her melodic lines. Here LINES never quite left the territory of interpretive dance, despite the great elegance and virtuosity of the dancers and the ethereal beauty of the lighting and costume design (James F. Ingalls and Robert Rosenwasser, respectively) pointe shoe sewing tips.

Alternating between ensemble work and small groups, “Art Songs” became a series of dances where the movement often mimicked the spatial changes in the sound and transformed the dancer into a calligrapher’s brush, rather than an independent agent in conversation with the music. It was made all the more confusing by Lahyani’s presence on stage bedecked in a giant obelisk of a coat (Colleen Quen) that crossed an Elizabethan look with what a purveyor of the dark arts might hope to wear. “Art” did afford the Bay Area audience an opportunity to watch the wonderful Meredith Webster — a nine-year veteran of LINES — return to dance pointe shoe sewing tips. And the new work did find other avenues of expression, as in the final aria, “Dido’s Lament,” by Purcell, one of the most heart-rending songs in the genre of songs by a woman betrayed. But even there the dance mis-stepped: This is the goodbye of a woman who has given up her kingdom for sneaky Aeneas, but King gives us a duet by an equally paired struggling couple (Yujin Kim and Michael Montgomery). Layani’s flaccid delivery and King’s tone-deaf response made for the sorriest “Dido’s Lament” in memory..

Ingrid O’Donoghue’s class at Van Meter Elementary held their own against professional dancers from the Los Gatos Ballet who stopped by to teach the second-graders about ballet stretching, technique and choreography. It may have seemed a little out of place, but Van Meter Elementary School was the backdrop for pirouettes and demi-plies last week, but without the fancy tutus and pointe shoes pointe shoe sewing tips. Dressed in T-shirts, jeans, shorts and leggings, Ingrid O’Donoghue’s class held their own against professional dancers from the Los Gatos Ballet, who stopped by to teach the second-graders about ballet stretching, technique and choreography, as well as how to appreciate the dance form..

Their teacher said she couldn’t have been more thrilled to see the students get excited and amazed “by the fact that professional athletes use the exercises in ballet to strengthen and enhance their abilities in other sports.”. “I think it is an excellent way to introduce all students to the fun, challenge and history of ballet, an activity that many may not have the benefit to experience, both as an option of a sport or exposure to a performing art,” said O’Donoghue pointe shoe sewing tips.

Led by dancers Cindy Huang and Raul Salamanca, students spent the week practicing variations from “The Nutcracker.” The combined dancing experience of Huang and Salamanca made them a formidable pair of teachers. Huang has danced professionally with the Miami City Ballet and performed as a guest artist with Les Grands Ballets Canadiens de Montreal, while Salamanca has danced with Ballet Arizona, Boston Ballet, Les Grand Ballets Canadiens de Montréal and Ballet San Antonio pointe shoe sewing tips. “I really appreciated the professionalism of the instructors,” O’Donoghue said, adding that the dancers “were very capable handling a group of children. They shared their love of their profession and it came across to the students.”..

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