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“It’s totally awesome!” Lustig said, without a trace of irony. “We’re all really psyched.”. As the Oakland Ballet kicks off its 51st spring season with “A Cappella — Our Bodies Sing,” the company is giving East Bay dance fans plenty of reason to feel psyched. Starting with four performances at Oakland’s Malonga Casquelourd Center for the Arts April 14-16, the ballet expands its territory with engagements at San Francisco’s Brava Theater Center (April 21) and Chabot College’s Reed L. Buffington Performing Arts Center in Hayward (April 23) how to shellac pointe shoes.
As the title suggests, the program features dances set to music performed at each show live by local vocal ensembles how to shellac pointe shoes. Any new work by veteran choreographer Val Caniparoli is reason to celebrate, and this world premiere is set to the iconic 19th-century popular songs of Stephen Foster, performed by the Derek Tam-directed 14-voice Berkeley Community Chamber Singers. The prolific choreographic partners Janice Garrett and Charles Moulten found inspiration for their world premiere in a much earlier composer, drawing on the songs of 11th-century mystic Hildegard von Bingen performed by the nine women of Vajra Voices..
Lustig addresses contemporary America with the West Coast premiere of “Stone of Hope,” a dance set to African-American spirituals performed by Nona Brown and the Inspirational Music Collective how to shellac pointe shoes. The ballet premiered in New Jersey last year and grew out of an encounter with an actor who told Lustig about reciting part of Martin Luther King Jr.’s epochal “I Have a Dream” speech (which lends the dance its title: “With this faith we will be able to hew out of the mountain of despair a stone of hope.”)..
With the rising outcry against the death of black men at the hands of police, Lustig wanted to add his voice to the fray, though very conscious of his status as an adopted American. Working with a noted gospel choir director, he set a dance to contemporary arrangements of spirituals by Moses Hogan, concluding with one of the bass singers coming forward with that recitation “of the passion and promise of King and the civil rights movement, which hasn’t been fulfilled,” Lustig says how to shellac pointe shoes.
“I’m a Brit, and I grew up in a different culture and environment. I’m not a political animal, but I felt I wanted to do something to address race and how it still divides America, when there’s such a wealth of cultural riches here. I tried not to make an overtly religious piece. Whether you share this faith or a different faith, there’s such beauty in celebrating our humanity. That’s the core of what I was trying to do, and the dancers embraced it.”. Lustig may not see himself as political, but he possesses a profound vision of dance’s essential role in building community how to shellac pointe shoes. As part of Oakland Ballet’s April 23 performance, the company is unveiling a new partnership with Chabot College that includes extensive community engagement activities, master classes and workshops. And following up on last year’s well-received East Bay DANCES Festival, Oakland Ballet presents the second edition of the regional dance showcase Sunday afternoon at the Malonga Casquelourd Center for the Arts..