opi ballet slippers – Any use pictured
In many ways, SFJazz is tending its roots this season with a series of concerts paying tribute to the jazz giants who gave Jazz in the City instant credibility and gravitas as a fledgling presenter. On Jan. 18, Indian-born, San Anselmo-based tabla maestro Zakir Hussain is the honoree at the SFJazz Gala, an event brimming with talent (Joe Lovano, Cindy Blackman, Stefon Harris, Terence Blanchard, Joshua Redman, Kronos Quartet, the SFJazz Collective and others). The four following nights draw on the same pool of players to honor three departed masters, with Blackman curating a tribute to late drum innovator Tony Williams (Jan. 19) and Redman curating an evening devoted to tenor sax titan Joe Henderson (Jan. 20). Harris curates a tribute to beloved vibes legend Bobby Hutcherson (Jan. 21), which shouldn’t be confused with the Oct opi ballet slippers. 23 Hutcherson memorial, a fundraiser to help defray the family’s medical expenses incurred during his long struggle with emphysema. SFJazz Collective alto saxophonist Miguel Zenon curates the closing tribute to saxophone great John Handy, who is still very much with us at 83..
The company’s previous production was an emotionally and logistically demanding aerial dance trilogy that focused on urban poverty opi ballet slippers. It was performed at outdoor locations in San Francisco’s Tenderloin district, and Kreiter wanted a different setting for the new work. She says, “I was really looking to get us out of the Tenderloin for a moment. The trilogy … was so challenging in terms of the environment and social setting, with the needles, prostitution and excrement. I wanted to give the dancers a break.”..
The performance space for the site-specific “Grace and Delia Are Gone” will be the picturesque Firehouse at Fort Mason Center for Arts & Culture. Flyaway Productions opens its 20th season with the world premiere Sept. 22, and performances continue through Oct. 2 opi ballet slippers. But the new location doesn’t mean Kreiter is getting soft. Set at what was once a military installation, “Grace and Delia” draws connections between domestic violence and state violence, with the dance unfolding from the point of view of the women of the title..
With lighting designed by Matthew Antaky and the set and rigging designed by Sean Riley, the piece showcases the company dancers up close and personal. “I usually do large-scale works, but only 69 people can fit in the Firehouse,” Kreiter says opi ballet slippers. “It’s very intimate, with dances taking place simultaneously in three rooms. One is the size of my son’s bedroom, and only fits 23 people, with the dancers flying over them. … It’s a wonderful change for me.”..
Nearly every dance Kreiter has created incorporates folk music, though the music remained largely in the background in her earlier works. In “Grace and Delia,” however, the murder ballads provide the narrative, and the songs have been boldly reimagined. Kreiter has again turned to violinist, vocalist and composer Carla Kihlstedt, her collaborator over the past two decades, for the new work’s commissioned score opi ballet slippers. Kihlstedt applies her dramatic sensibility to several laconic songs, including “Two Sisters,” a piece she recorded with Tom Waits on his album 2006 “Orphans: Brawlers, Bawlers & Bastards.”..