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And violent. Crazy violent ivory ballet flats with ribbon. Broughton battles her way through squads of communist goons, baffled Berlin police and crooked English operatives who want to do her harm, and Theron portrays her as an impossibly formidable fighting machine who gets exhausted and bruised over her entire body while taking out much beefier male opponents. Although Theron has become quite the action attraction recently in such films as “Mad Max: Fury Road,” “The Fate of the Furious” and “Prometheus,” she had to undergo intensive training with the 87Eleven crew to come off as the smart female warrior – rapid elbow and palm strikes, never fist jabs – Broughton is..
“When we do movies like this or ‘John Wick,’ any one of these medium-sized budget genre movies, our company brings in the actor and does an evaluation of their ability to do action,” Leitch explains ivory ballet flats with ribbon. “It does rely on the actor’s ability when you don’t have the money for CGI spectacle. Charlize came in and her work ethic was off the charts. Her aptitude to learn choreography, mimic motion and remember moves was, too. She had the will and the ability, which was really exciting because I wouldn’t have to cheat these great sequences.”..
Theron even sparred with “Wick” portrayer Keanu Reeves at one 87Eleven session. Despite the training, though, she left the “Atomic” production in need of dental work ivory ballet flats with ribbon. It’s easy to see why, especially in the film’s action centerpiece, an appearing-to-be single take fight with a bunch of Red assassins that goes several floors around a spiraling stairwell, into an apartment that gets pretty much entirely wrecked, then onto the street and into a car chase that wreaks mayhem for a number of city blocks before the first evident edit..
The 71/2-minute sequence does, of course, have some hidden cuts and digital assists in it, but Theron and the men did the whole unforgiving ballet repeatedly over four days of shooting. Sometimes, the movie’s stunt and second-unit director Sam Hargrave even operated the camera to help ensure all of the complex choreography was showcased at its best. “Yeah, there’s a lot of crazy action and camera moves,” Leitch acknowledges. “It’s funny, I have such a great collaboration with Jonathan Sela, the cinematographer [“Wick 1,” “Deadpool 2″], we have sort of a shorthand ivory ballet flats with ribbon. When we proposed that we wanted to use the stunt team to help move the camera in that stairwell fight, he was like, ‘Let’s do it!’ There’s usually a division on the set of who’s role is what, but not with Jonathan and I. There are no politics as long it’s compelling to get everybody involved. So that sequence was all hands on deck, all departments.”..
Are there ever any quiet, tender moments in “Atomic Blonde”? Surprisingly, yes. Theron’s nude, black-and-blue-all-over ice baths represent Broughton’s idea of Me Time. And her bedroom antics with an infatuated French operative played by “The Mummy’s” Sofia Boutella got even her co-star talking about her kissing ability. So, any thoughts about objectifying the most powerful movie female this side of Wonder Woman?. “All film, at the end of the day, has wish-fulfillment,” Leitch proposes ivory ballet flats with ribbon. “There’s fantasy-fulfillment in Charlize’s character in a lot of ways, for men and women. People want to be empowered to the point where they can thwart their enemies physically. The thing that we wanted to do with her, to make it different and elevated, was to start the movie out with that sort of fun tone, but then the action takes on another sort of role that’s about servicing her bigger, existential crisis. The violence in her world has more consequences. Fight scenes that seem innocuous in all these movies where you just go on to the next set piece, after that one in the stairwell it’s like, oh my God, she can barely walk..