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But this weekend, it is all about the puppets. The current Storybook production, former longtime director Lewis Mahlmann’s “Urashima,” is based on a Japanese story of a boy fisherman thought lost at sea, with a surprising ending. It has its final stagings this weekend, at 11 a.m. and 4 p.m inside pointe shoes. Saturday and 11 a.m., 2 p.m. and 4 p.m. Sunday. But that’s just the tip of the iceberg. In a break from the usual, Fairyland will be open only to adults Saturday after dark for “Forbidden Puppet Cabaret,” 12 pieces that make up a vaudeville-style succession of 10-minute performances. There will be alcohol served that night, too..
Which is not to say the rest of the weekend is only for kids. Metz points out Mahlmann’s principle, still followed, that the puppet productions have to appeal to audiences “from 1 to 100.”. “We never talk down to the audience,” he said inside pointe shoes. Younger viewers respond to the visuals and movement, older kids the stories, and the style and elegance kicks in for adults. The 2 p.m. Saturday performance of “Urashima” will be pre-empted by a guest performance of “The Boy Who Cried Wolf” by Art Grueneberger of the Puppet Theatre Company..
The Vagabond Puppets, a traveling puppet theater that Oakland’s Parks and Recreation Department has largely mothballed for the past decade, brushes off the dust for a Marx Brothers-style “3 Little Pigs” at noon Saturday. Activities at the arts and crafts center begin at noon, culminating at 1:30 p.m. with a make-a-puppet event led by the San Francisco Puppet Guild. Saturday at 3:30 p.m., Emeryville’s Fratello Marionettes bring “Mother Goose Land” to the stage; on Sunday at that time, Rhonda Kaye the Puppet Lady presents “Magic, Mayhem & Marionettes.” inside pointe shoes.
On both Saturday and Sunday at 12:30 and 3 p.m., a Storybook tradition surfaces in the folk tales from Syria at the Children’s Theater stage: “Once in Aleppo,” which features merchants, musicians, potter and princesses inside pointe shoes. Mahlmann, who died in 2014, “traveled the majority of the world in his lifetime,” Metz said. “That’s his legacy. Fairyland has always stressed literacy for kids, but Lewis always stressed doing the cultural tales” such as operas and ballets, Metz said..
Metz has been part of the Storybook story through many of its 60 years. At age 10, he set his sights on becoming a puppeteer and knocked on the stage door, seeking to buy Mahlmann’s “Treasure Island” puppets for $1 each inside pointe shoes. It took him decades to acquire them, long after he had apprenticed at Fairyland and Storybook and risen through the ranks. Mahlmann finally presented him with those puppets when Metz took a sabbatical from Fairyland, a couple of years after he began a 20-year run working full time as artistic director in 1978..