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Far from a sophisticate at the time, he had arrived in Hollywood only a few years earlier without knowing a word of English. His parents – affluent and cultured German Jews – had fled Nazi-era Berlin at the cost of their possessions dance sneakers capezio. Although near-penniless, they made sure their son, widely recognized as a prodigy, continued his piano and composition studies. In Los Angeles, 12-year-old André became smitten with jazz pianists such as the lightning-fingered Art Tatum. He said he spent days transcribing Tatum’s recording of “Sweet Lorraine” with the same fervor he formerly reserved for Mozart symphonies..
As a pianist and as a student conductor, Previn played with radio and symphony orchestras dance sneakers capezio. At 16, he told English composer Antony Hopkins, he cut a piano jazz album that was a surprise hit and “sold something like 200,000 copies.” He joked that success was due in large part to the fact that “it didn’t have my picture on the cover.”. He soon began arranging for Metro-Goldwyn-Mayer musicals. “They were always looking for somebody who was talented, fast and cheap and, because I was a kid, I was all three,” he later quipped..
He quickly adapted his skills to movie orchestration and, at 18, became a composer-conductor for MGM. His first official credit was for a 1949 “Lassie” picture, which he dismissed as inane but nonetheless “tailor-made for music, since the dialogue was sparse in favor of a lot of barking in picturesque meadows.” dance sneakers capezio. It was the start of a remarkably prolific and versatile career in Hollywood. He wrote the original score of the musical “It’s Always Fair Weather” (1955), best remembered for Gene Kelly’s ballet on roller skates, and brought cascading octaves and snarling dissonances to the powerful 1962 film adaptation of Eugene O’Neill’s drama “Long Day’s Journey Into Night” (1962)..
In all, Previn scored, played in or conducted more than 50 films, winning Academy Awards for adapting the music of Broadway shows “Gigi,” “Porgy and Bess” (1959), “Irma La Douce” (1963) and “My Fair Lady” (1964) dance sneakers capezio. Meanwhile, Previn took his hard-driving bebop jazz trio to the Newport Jazz Festival, Jazz at the Philharmonic in Los Angeles and other major venues. Previn worked with drummer Shelly Manne on one of the first jazz albums of a Broadway score, for “My Fair Lady” (1956), which sold hundreds of thousands of copies..
In addition, Previn accompanied Doris Day on an album, “Duet,” that brought out a sexy swinging side to a pop star. The magazine JazzTimes called the now-classic release, made in 1961, “exquisite.” dance sneakers capezio. Despite his renown in Hollywood, Previn said his transition to concentrate more intensively on classical music was rocky because he was not accorded what he considered his full due as a “serious” musician. “There’s a small group of music critics in the States who will forgive you anything – jazz, a long prison term, or what have you – anything but scoring a Hollywood musical,” he told the New York Times in 1968..