dance shoes for girl – Pink soft leather ballet shoe with one piece leather sole.Style: full sole,Brand: Dance Class,Model: TRMB400,Fabric: leather,Fitting: Child order same as street shoe size. (The fitting information is shown as a guide only and not a guarantee. Actual fitting may vary.),Available Colors: Pink,Available Sizes: Child sizes: 5-4; widths: M,
In the winter of 1944, despite the Pacific War turning decisively in favor of the Allies, the Bay Area was being invaded. Quietly and without much fanfare, an army from the East established a beachhead that Christmas, and life has never been quite the same since. I’m referring of course to “The Nutcracker,” which made its North American premiere as an evening-length ballet at the War Memorial Opera House 73 years ago. The production was an immediate sensation, and Nutcrackers large and small have been marching across the country ever since dance shoes for girl.
More than a staple of the holidays, the ballet has come to embody the season as surely as Christmas trees, wreaths, and carols. With Tchaikovsky’s spirited score and E. T. A. Hoffmann’s fantastical narrative (via Alexandre Dumas’s adaptation), “The Nutcracker” seems capable of surviving any calamity or choreographer. Fortunately, Bay Area productions tend to bring out the best in the ballet. Here are our picks for top holiday dance offerings. “The Hard Nut,” Mark Morris Dance Group: After five long years the long drought is over! I love “The Nutcracker” as much as any other dance aficionado, with a ballet-smitten daughter harboring sugar plum fairy dreams. But reverence doesn’t mean avoiding a boozy good time, which is what Morris provides in “The Hard Nut,” the choreographer’s hilarious retelling of the familiar tale set in swinging 1970s suburbia. Set to Tchaikovsky’s complete score, performed live by members of the Berkeley Symphony and the Piedmont East Bay Children’s Choir, the fabulous production includes 33 dancers and Morris reprising the role of Dr. Stahlbaum dance shoes for girl.
Details: Presented by Cal Performances; Dec dance shoes for girl. 15-24; Zellerbach Hall, UC Berkeley; $40-$135; 510-642-9988, www.calperformances.org. “Nutcracker,” The San Francisco Ballet: Helgi Tomasson’s “Nutcracker” has lost none of its power to dazzle and delight since its 2004 premiere. Transported to San Francisco’s Pacific Heights around the conclusion of World War I, the lavish production is set to Tchaikovsky’s complete score in the composer’s intended sequence. While designed to showcase the company’s superlative dancers, the décor and sets provide irresistible frosting on a delectable cake..
Details: Dec. 13-30; War Memorial Opera House, San Francisco; $25-$445; 415-865-2000, www.sfballet.org. “The Nutcracker,” Symphony Silicon Valley with the Ballet Stars of Moscow Company: Under the baton of George Daugherty, Symphony Silicon Valley accompanies a full contingent of dancers from the Ballet Stars of Moscow, a company that features alumni from leading Russian institutions such as the Bolshoi Ballet, Russian National Ballet, and Stanislavsky Ballet Theater dance shoes for girl. Featuring Vasily Vainonen’s influential choreography for the Soviet-era Kirov Ballet, the production is part of a winter wonderland affair in downtown San Jose that includes an outdoor ice rink, Ferris wheel and other fun. More information on downtown’s attractions is at sjdowntown.com..
Details: Dec. 16-24; San Jose Center for the Performing Arts, San Jose; $38-$100; 408-286-2600, www.symphonysiliconvalley.org. “The Nutcracker” Oakland Ballet Company: While Graham Lustig premiered his “Nutcracker” with New Jersey’s American Repertory Ballet in 2000, his graceful production seems tailor-made for the Paramount Theatre’s resplendent Art Deco finery. Set in the early 20th century, the ballet features the company’s strong cast of professionals and more than three-dozen young dancers ages 7 to 17 as snowballs, mice, soldiers and candies. With the Michael Morgan-directed Oakland Symphony and the Mt dance shoes for girl. Eden Women’s Ensemble joining the orchestra for the Snow Scene, Lustig’s ballet keeps its focus on Marie (the name of Hoffmann’s original protagonist, changed in most productions to Clara)..