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Choreographer Tanya Chianese, the director of the ka·nei·see collective, started working on a similar concept in the wake of the 2016 presidential election “as therapy for ourselves,” she says dance shoes atlanta. The first piece was a trio referencing unsolicited crotch grabbing, a dance that focused on the contrast between the assaultive behavior and “this languid, feminine movement.”. Recognizing a kindred spirit, Arnett approached Chianese about a collaboration, and what started as a joint presentation evolved into a full-blown integrated work, “Nevertheless.” Weaving together movement and music, the evening-length presentation explores both quotidian annoyances, like being told to smile, with seriously threatening encounters, such as being followed home at night..
The first incarnation of “Nevertheless” premiered last April with several sold-out performances at CounterPulse. On March 7-10, Z Space presents a reprise of the timeless but ripped-from-the-headlines work with an expanded cast of 25 singers and dancers performing 17 vignettes with new material and new voices. With lyrics provocatively set to nursery rhymes and other sing-song childhood melodies, “Nevertheless” reimagines harassment, simultaneously defanging disturbing encounters and revealing their venom dance shoes atlanta.
“Parts are very humorous, and parts are very difficult and disturbing,” Chianese said during a joint interview with Arnett at a West Berkeley café. “There is an arc from the easy to process to less easy. We had to think a lot about the emotional flow, from now I’m laughing to now I’m crying.”. In many ways, the overwhelming response to the CounterPulse production of “Nevertheless” gave the work a second life. Senators Diane Feinstein and Elizabeth Warren sent letters of support, and “things just blew up,” Chianese said. “People wanted to see it again, wanted to bring friends and family members. We felt that the work wasn’t over.” dance shoes atlanta.
The Z Space production spills out into the lobby, where a curated art show features pieces by Bay Area and national artists exploring similar themes in their work. The visual imagery inside and outside the theater is often striking, but it’s the contrast between the innocent melodies and the violent and lascivious commentary that sticks. “I chose nursery rhymes because when I started performing the songs in the Mission as a street performer, I needed a way to draw the audience in,” Arnett said. “I wasn’t going to do that doing songs like Pussy Riot dance shoes atlanta. I knew that nursery rhymes, sounding sweet and familiar would do that. I find it hilarious to have that music with that content.”..
Many of the dancers and vocalists in “Nevertheless” contributed their own stories detailing street harassment, but the production doesn’t take sides so much as offer a vehicle for transmuting disturbing experiences. “All the performers have to go back and forth between being a harasser and victim,” Chianese said. “Some of the movement was generated by each individual to evoke the actual feeling of what’s happening.” dance shoes atlanta. “What some people might not know is that we strictly avoid admonishing harassers or talking about how it makes me feel,” Arnett added. “We tell the story, not our reaction to it. You leave the audience the freedom to interpret, to identify or not from either perspective.”..