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Peninsula Youth Theatre. “She Kills Monsters.” 2 p.m., 7:30 p.m best salsa dance shoes. Sept. 23. By Qui Nguyen. Mountain View Center for the Performing Arts Second Stage, 500 Castro St., Mountain View. $17. or 650-903-6000. TheatreWorks Silicon Valley. “The Prince of Egypt.” Oct. 6 through Nov. 5. Co-world premiere (in collaboration with Fredericia Teater in Denmark, where it will be staged in 2018) musical about Moses and Ramses. Score and lyrics by Stephen Schwartz, book by Philip LaZebnik. Directed by Scott Schwartz. Featuring Diluckshan Jeyaratnam and Jason Gotay. Mountain View Center for the Performing Arts, 500 Castro St., Mountain View. $40-$100 (discounts available). or 650-463-1960..

Peninsula Youth Theatre. “Stories on Stage: Creepy Carrots.” 9:30 and 11 a.m. Oct best salsa dance shoes. 13, and 11:30 a.m. and 1:30 p.m. Oct. 14. Adaptation by Dexter Fidler of the book by Aaron Reynolds. Mountain View Center for the Performing Arts Second Stage, 500 Castro St., Mountain View. $8-$10. or 650-903-6000. Pear Theatre. “An Enemy of the People.” Oct. 19 through Nov. 12. By Henrik Ibsen, adapted by Rebecca Lenkiewicz. Directed by Betsy Kruse Craig. Featuring Steven Guire Knight, Hannah Mary Keller, Rich Holman, Matt Brown, Michael Craig, John Musgravel, Mohana Rajagopal, Anthony Silk, Ron Talbot, Jerry Hitchcock and Mihaela Robb. Pear Theatre, 1110 La Avenida St., Mountain View. $15-$35; or 650-254-1148..

Upstage Theater. “The Complete Works of William Shakespeare (Abridged).” 7:30 p.m. Oct. 20; 2 and 7:30 p.m. Oct best salsa dance shoes. 21; 7:30 p.m. Oct. 22. Comedy covers 37 plays in less than two hours. Mountain View Center for the Performing Arts Second Stage, 500 Castro St., Mountain View. $17-$22. or 650-903-6000. Lightwire Theater. “Moon Mouse: A Space Odyssey.” 4:30 and 6:15 p.m. Oct. 22. Storytelling troupe from New Orleans that uses glowing neon electro-luminescent wire to portray its characters. Oshman Family JCC, Schultz Cultural Arts Hall, 3921 Fabian Way, Palo Alto. $25-$35. or 650-223-8649..

The City of Light is still shrouded by the bleak shadows of World War II in “An American In Paris.”. Shell shock lingers in Christopher Wheeldon’s s’wonderful adaptation of the classic MGM movie starring Gene Kelley and Leslie Caron. This is Paris as a city besieged by destruction and starvation, where sad women wait in long lines in the hopes of snagging a loaf of bread. While some stage adaptations of Hollywood treasures feel stodgy and formulaic, awkwardly trying to recapture a sense of innocence that’s hard to come by these days, this Tony-winning Broadway hit feels sharper and more wistful than you remember the movie. Shot through with balletic choreography and gorgeous glad rags and lit by a Gershwin score, this is a freshly-re-imagined musical graceful enough to pirouette right into your heart. Who could ask for anything more? best salsa dance shoes.

Most of the sophistication comes from Wheeldon’s marriage of movement and motif. A celebration of dance, it’s fluidity and profundity, is the real the star of this show, from the passionate pas de deux to the bouncy kick line best salsa dance shoes. The director-choreographer integrates classically-trained ballet dancers into the staging with such panache that the cornier parts of the story feel less obvious. The wordless dance sequences shine brightly indeed. Welcome to Paris, a city of art and romance struggling to find its soul after fighting for its life. A trio of very different suitors vIe for the attentions of Lise (the luminous Sara Esty) a shop girl with the chic bob who yearns to be a dancer. Swirling around this gamine with great gams is Jerry (McGee Maddox) the American GI, fresh from battle, now trying to find his eye as a painter, glorying in the splendor of the city’s bohemian art scene. There’s also Adam (Stephen Brower) a sad sack composer cut from Gershwin’s cloth. A wisecracking cynic who gets his heart broken, he narrates much of the story..

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